Oscar Wilde Blog

by Jörg W. Rademacher

Welcome to the life of Oscar Wilde

Latest blog post

Summer Blog Post Eleven

Summer Blog Post Eleven

Dear readers of my blog,

if father and son are both writers, the chances they see similar things similarly and at the same time, while not necessarily talking about their parallel activities, are high. This is what I found out two years ago when trying to find those papers that should be preserved by the Westphalian Writers’ Archives at Münster that had agreed to take my father’s literary estate. Mind, he is still alive and now again an active reader, something he had always been but mostly with a purpose in mind. In his present situation, he can do what he likes, and so I send him my current work once it is published.

 

Read more …

Summer Blog Post Ten

Summer Blog Post Ten

Dear readers of my blog,

today is “Bloomsday”, now universally celebrated by fans of James Joyce's novel Ulysses as the festival of a single day in the Dublin of 1904. Eighteen years ago, I was invited to speak to an audience at Nuremberg about the third chapter, entitled “Proteus”. Then, I still travelled from Münster in Westphalia to whatever haunts I was asked to share with readers of James Joyce. At the time, I had already realized that this period of my life was running out of steam for I earned hardly anything from the proceeds of my pen as translator and writer of biographies – the first one of which on Oscar Wilde had been published in September 2000. So the contact with Maria Eger at Nuremberg started by a phone call of hers some time earlier was rewarding in the sense that I felt my hobby-horse was going to remain one in the future and that I would not be obliged to toe the academic as well as the commercial line for much longer.

Exhilarated by the perspective of doing what I wanted to do, I also wrote a poem to introduce my talk. Here it is: To this day most of my occasional poems have not seen the light of day, while a blog provides me with a good opportunity to combine literary interests in Wilde and Joyce as well as others such as politics and football.

 

Read more …

Summer Blog Post Nine

Summer Blog Post Nine

Dear readers of my blog,

as you can see when typing in https://site.unibo.it/wetell-school, there is an interesting summer school about storytelling as an important impulse to create civic awareness which is going to take place at Bologna University in early July. As an active teacher of modern languages, I often revert to telling stories, most of them experienced myself, in order to catch students' attention, particularly when they are too young to understand abstract concepts such as civic responsibility, awareness and difficult lessons to be learned from history.

Both Oscar Wilde, the main subject of this blog, and Tanya Josefowitz as well as Anne Frank tell stories rather than spread their word in terms of theories. Even when addressing theoretical subjects Wilde more often than not uses the literary form of a dialogue with fictitious characters to tell the story he has in mind.

 

Read more …

Wildes Hauptwerk

Alles über
"Das Bildnis des Dorian Gray"

read more

Über mich

Jörg W. Rademacher (*1962), born and bred in Westphalia. Attended university at Münster, Dundee and Lille. State exam in 1988. Ph.D. In 1993. Scholar, language teacher as well as writer and translator at Münster until 2002. Since 2002 secondary school teacher, writer and translator in East Frisia. Working on Wilde since 1988. Publishing on Wilde since 2000 as biographer and editor and translator, on a regular basis with Elsinor Verlag since 2012, since 2015 also editor and translator of Oscar Wilde calendars.

Der neue Kalender

Interesse an einem Kalender?
Kontaktieren Sie mich.

A calendar in progress 2023

Composing these reflections when offering, selling, and sending out the current calendar is still only a matter of weeks away, I do feel that this project has made another step: at long last, a balance has been found between word and image, with Günter Plessow the author of the verse translations into German, while I translated two of Egon Günther’s poems into English besides choosing, arranging, and, sparsely this time, commenting the poems. If you like, you can see the history of the Oscar Wilde calendars represented by their respective covers on my website: oscar-wilde-blog.de
In fact, it is only owing to Günter Plessow’s industry in translating what he calls “Lyrical Notes” into German in the year 2021 that a substantial selection of Wilde poems ranging from the 1870s through the 1890s, including “The Sphinx” and “The Ballad of Reading Gaol”, are now available for re-publication as part of this calendar project. This is also why, compared to previous calendars, this Oscar Wilde Calendar concentrates on poetry on the one hand and focuses on verse in English and German on the other hand. Taking the poems chosen this time in turn, I also include miniatures of the collage work, so that it is possible to survey the complete calendar here.

January

Willie Wilde
Salome

The sight of me was as a devouring flame
Burning their hearts with fire, so wantonly
That night I danced for all his men to see !
Fearless and reckless; for all maiden shame
Strange passion-poisons throbbing overcame
As every eye was riveted on me,
And every soul was mine, mine utterly, –
And thrice each throat cried out aloud my name !

“Ask what thou wilt,” black-bearded Herod said,
God wot a weird thing do I crave for prize :
“Give me, I pray thee, presently the head
Of John the Baptist.” ’Twixt my hand it lies.
“Ah mother ! see ! the lips, the half-closed eyes –
Dost think he hates us still now he is dead ?”

Once more, William Wilde’s sonnet “Salome” is there to start the New Year. The image of the head is shocking, it is true, but then facing the reality of a New Year may be shocking again and again.

February

Egon Günther
white morning

(erich mühsam in memoriam)

early on madness wakes from his dream
and shaking stretches long
his limbs when outside wildly rages the stream
drowning out the birds’ songs

close-by stands the fiend
high rises the flood
the guard presses on
roughly into the latrines
far from any friend
depressed is his mood
prepared for war
are only the machines

the white murder undermines
the crumbling dam
that hardly holds in check the hateful pack
many a one in his heart
now feels cold & clammy
deeming himself already the scum’s rich picking
just under the veneer of civilization
wrongfulness – vulgar & naked beast that be –
brashly baring his teeth & also showing his face
the drummer of the nation
conjuring baneful times to be
the press spitting slander across time & space

the murdered’s regards from the grave
are not for you – the murderers
you who with barbarous affectation gave
more support to the law of might
that you ruled to be right:

the tradition of master & slaves
withal the arbitrariness of ancient privilege
you are no adversaries earning his respect
all but despicable torturer knaves
even though arrogantly to subject
you strove the world to your tyranny

in his grave he can but scoff at you
and should you win the world even
with fraud & might & steel
your dream of the master race ne’er comes true
as will prove future’s reel

 

The poem “white morning” by the German poet, painter, writer, and translator Egon Günther had to be omitted from last year’s edition for lack of space. Like Oscar Wilde, the German Jewish socialist Erich Mühsam (1878-1934) endured much before he was even killed in prison for his convictions.

March

Oscar Wilde
By the Arno

The oleander on the wall
Grows crimson in the dawning light,
Though the grey shadows of the night
Lie yet on Florence like a pall.

The dew is bright upon the hill,
And bright the blossoms overhead,
But oh ! the grasshoppers have fled,
The little Attic song is still.

Only the leaves are gently stirred.
By the soft breathing of the gale
And in the almond-scented vale
The lonely nightingale is heard.

The day will make thee silent soon,
O nightingale sing on for love !
While yet upon the shadowy grove
Splinter the arrows of the moon.

Before across the silent lawn
In sea-green vest the morning steals,
And to love’s frightened eyes reveals
The long white fingers of the dawn

Fast climbing up the eastern sky
To grasp and slay the shuddering night,
All careless of my heart’s delight,
Or if the nightingale should die.

 

Poems by Wilde such as “By the Arno.” (March), “From Spring Days to Winter (for Music.)” (April), “San Miniato.” (May), “At Verona.” (June), and “Italia.” (July) record each specific moments in more or less clearly defined places. “By the Arno” has an explicitly Florence setting, breathing a romantic atmosphere redolent not only of Tuscany but of an Oxford college lawn at the dawn of day, also alluding to John Keats.

April

Oscar Wilde
From Spring Days to Winter

(for Music.)

In the glad spring when leaves are green,
O merrily the throstle sings !
I sought, amid the tangled sheen,
Love whom mine eyes had never seen,
O the glad dove has golden wings !

Between the blossoms red and white,
O merrily the throstle sings !
My love first came into my sight,
O perfect vision of delight,
O the glad dove has golden wings !

The yellow apples glowed like fire.
O merrily the throstle sings !
O Love too great for lip or lyre,
Blown rose of love and of desire,
O the glad dove has golden wings !

But now with snow the tree is grey
Ah, sadly now the throstle sings !
My love is dead ; ah ! well-a-day,
See at her silent feet I lay
A dove with broken wings !

Ah, Love ! ah, Love ! that thou wert slain –
Fond Dove, fond Dove return again.

 

“From Spring Days to Winter (for Music.)” contains the elements of the Italian tricolour, so that it might also be set in Italy whereas the poem in general still reflects a romantic view of the seasons.

May

Oscar Wilde
San Miniato

See, I have climbed the mountain side
Up to this holy house of God,
Where once that Angel-Painter trod
Who saw the heavens opened wide,

And throned upon the crescent moon
The Virginal white Queen of Grace, –
Mary ! could I but see thy face
Death could not come at all too soon.

O crowned by God with thorns and pain !
Mother of Christ ! O mystic wife !
My heart is weary of this life
And over-sad to sing again.

O crowned by God with love and flame !
O crowned by Christ the Holy One !
O listen ere the searching sun
Show to the world my sin and shame !

 

Likewise “San Miniato” (al Monte) takes you on an imagined or real tour to a church located on the hills beyond the Arno while also referring to the history of art and religion.